Maggiormente laughed.
"These dreamy thoughts as you have called them are precisely the location
from which my fuel source has come."
Fabien shook his
head. "Dreams!"
"Indeed –
everything that exists now was once imagined, as the master wrote."
Adèle asked,
"Who is this master you speak of? Your teacher?"
The alchemist
held his wine glass aloft. "Mr William Blake of England. A poet, an
artist, a visionary."
The baker poured
out more wine for them all. "I have not heard of him."
Maggiormente
struck his chest with an open hand. "That is the true tragedy!" He
sighed with regret while Eduardo lay down on the bakery floor. The lion knew
this could take a while so he rested his head on his paws and folded his wings
neatly across his back.
"It's a sad
and painful story. Genius seldom finds its reward in its own time."
"This is
true," Fabien admitted.
"Especially
if one is a woman," Adèle added.
Her husband
grabbed her hand and kissed it. "You are magnificent. I know your genius.
You make every day a wonder."
"Je t'aime,
mon cher."
The alchemist
looked at the two of them with bemusement. "The master, Mr William Blake,
conceived of entire worlds and wrote and drew them. He saw angels in his garden
and created pictures of exquisite beauty that also explained his vision."
"He is your
role model."
"Yes, in so
many ways."
"An
alchemist," Adèle suggested.
"Only with
thought," Maggiormente said, "and words. Not in the classical sense
of alchemy, but the magic he wrote with just letters and spaces – ah! Such
magic."
"A poet,
that is a good thing." Fabien nodded as he sipped his wine.
"A poet and
so much more," Maggiormente held his wine aloft and squinted into the
distance he could only see. "'To see the world in a grain of sand, and to
see heaven in a wild flower, hold infinity in the palm of your hands, and
eternity in an hour.' That is the gift he gives us: to know the magic of vision
of what has not yet been."
"But such
imaginings can fall into idleness, too."
The alchemist
waved away his friend's words. "Blake spoke not in idleness and fancy, but
in deadly seriousness about our gifts." He gestured around the bakery.
"To have
the ability to make such glorious pastries and breads and to deny the world
your work, that the master would scorn. To avoid the work one was born to carry
out – to make, to create! – this too he would disparage. As he wrote so long
ago, 'I must create a system or be enslaved by another man's; I will not reason
and compare: my business is to create.' And his business it was, too, to share
the voices of the angels beyond comprehension."
"Angels,
bah!" Fabien said. "More irrationality."
"I think
angels are pretty," Brigitte said. "They have wings like
Eduardo."
Her father
laughed. "Eduardo, to be sure, is no angel!"
Maggiorments
leaned forward. "Where does genius come from? When it comes, it does not
seem to come from within. To call this source god or angels, does it matter?
Angels to some, demons to others, we might say, for genius does not always fit
itself to human values."
"What is
wrong with saying it comes from our own little heads?" Fabien tapped the
table with his forefinger. "We conjure with our brains, not angels."
"Our brains
are filled by the wisdom of the ages, by those who came before, by those who
know so much more. When an idea comes, it comes as a gift from the whole of
your life."
"But from
my own brain."
Maggiormente
threw his hands up. "There are those who believe they owe no one. And
those who know they owe everyone."
"But I give
you credit for your discoveries," Fabien said, raising his glass to the
alchemist.
Kit Marlowe also has a six sentence blurb up over at Wombat's World today.
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